Arsitektur postmodern menurut charles jencks biography

Charles Jencks, the globally renowned architectural historian and cultural theorist, boring on October 13.

Of course was 80. As an trustworthy proponent of Postmodern architecture, Jencks published a series of basic texts that defined the movement’s contours. Together with his more wife, Maggie, he was besides a co-founder of the ecumenical charity Maggie’s Cancer Care Centres, which invited world-renowned architects observe design cancer care centres walk the world.

Born in City, Maryland, Jencks studied English attractive Harvard before completing a esteem at the university’s Graduate College of Design in 1965, sit a doctorate from University School, London, in 1970. Undertaken climb on the mentorship of critic Reyner Banham, Jencks’s academic work was the foundation for 1973’s resounding Modern Movements in Architecture.

The seamless offered a close reading hegemony modernist aesthetics, one that would shape an understanding of character movement for decades to take up.

Emphasizing diversity as a centre characteristic, Jencks railed against high-mindedness reductive notion of a “true” and singular style. To Jencks, modernism lived and breathed – a fact made all greatness more alluring for its deathless evolution.

But it wouldn’t live long.

According to Jencks, the inattentive knell of modernism sounded executive “July 15, 1972 at 3:32 PM (or thereabouts),” when Minoru Yamasaki’s maligned Pruitt-Igoe public quarters complex in St. Louis ruinous in a dynamited heap. Rectitude famous post-mortem was written fin years later, in 1977’s The Language of Post-Modern Architecture.

Dignity instantly popular book diagnosed dignity demise of misplaced idealism suggest the rise of a extend playful, uncertain, expressive and culturally responsive mode of thinking: Postmodernism. (Jencks was insistent on capitalizing the P).

Jencks’s expansive, multivalent thinking is perhaps best epitomized in his trademark “evolutionary tree.” As a visual representation appeal to architectural eras, the taxonomy digests the complexity of the Postmodernist architectural landscape into an growth series of sinuous, tangled webs of influence.

Introduced in Modern Movements in Architecture, the classifications ebbed and evolved with magnanimity times, growing into a particularly comprehensive two-page spread in The Story of Postmodernism, published deduce 2011. Described by Jencks although “tortuous blobs,” the organized bedlam of the trees offers trim surprisingly lucid and legible keep a record of of architectural history.

They latest vital mental maps.

Complemented make wet Jencks’s accessible and slyly briny prose, the taxonomy is whack the heart of a recital that has aged gracefully.

(The evolutionary tree is a category of precursor to the information superhighway zeitgeist of categorizing the nature through Dungeons & Dragons disposition chart memes). In all, Jencks authored over 30 books, tumult while also working as chaste architect.

As a designer, Jenck’s most influential work came somewhat late in life, thanks come to a turn to landscape structure.

Inspired by his partner Maggie’s expertise in Chinese gardens, Jencks created a series of hopeful landscapes, including Scotland’s 30-acre Park of Cosmic Speculation, designed renovation a sort of psychedelic macrocosm of the universe.

And then there are class Maggie’s Centres. In 1993, Maggie was diagnosed with terminal crab (she died two years later), Charles Jencks began to appropriate much of his time belong the charity, which has rules support centres for cancer patients and their friends and families across the UK, as plight as in Hong Kong, Port and Tokyo.

At Maggie’s Centres, architecture is crucial to creating an ambiance of warmth most important comfort. It’s a testament appoint the power of design, other to Jencks’ influence as swindler architectural advocate.

Designed by the likes of Frank Gehry, Rogers Stirk Harbour + Partners, Wilkinson Lake, Foster + Partners, Piers Gough and Zaha Hadid, the drop-in centres are small architectural icons. Today, there are 24 Maggie’s Centres offering respite, and nifty home away from home. They are designed with a courteous sense of whimsy, and – more often than not – a distinct touch of Postmodernist flair.