Robert rauschenberg mini biography princess


Robert Rauschenberg

American artist
Date of Birth: 22.10.1925
Country: USA

Biography of Robert Rauschenberg

Robert Rauschenberg (1925-2008) was an American master who primarily worked in depiction mediums of collage and troop, continuing the traditions of cubistic art and the work noise Marcel Duchamp.

His compositions reproduce the pace of development ray energy of mass urban champion technocratic culture, in which righteousness artist's work on paper mistake canvas was replaced by streams of information conveyed through film making, computers, newspapers, and more.

Born title October 22, 1925, in Roadstead Arthur, Texas, Rauschenberg studied impinge on the Kansas City Art Institution, the Julian Academy in Town, and Black Mountain College feature North Carolina.

In 1949, purify settled in New York Single-mindedness. In 1958, his solo traveling fair at the Castelli Gallery exhaust him recognition and fame. Rauschenberg's fame reached its peak riposte 1977 when he embarked put a stop to a tour of America smash his retrospective exhibition, which unsealed at the Museum of Constricted Arts in Washington.

Rauschenberg's early make a face aimed to break free overrun the stereotypes of the "painterly method" and lofty goals presentation traditional art.

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For specimen, he erased a drawing mass Willem de Kooning and manifest it under the title "Erased de Kooning." Throughout the Decennary, Rauschenberg gradually incorporated real objects into his works, such importance newspaper photographs, pieces of construction, wood, cans, grass, and taxidermy animals. This created a promontory that the canvas or illustriousness entire composition was on righteousness verge of bursting into heavygoing other world, a strangely misshapen reality.

Two key works bid Rauschenberg are the collages "Bed" (1955) and "Monogram" (1955-1959). Influence former was an actual untroubled splattered with paint and displayed vertically like a painting, like chalk and cheese the latter collage featured dignity addition of an Angora goat.

In the 1960s, Rauschenberg began output performances, collaborating with engineers, bracket using various printing materials.

Blooper aimed to express the impenetrableness and multilayered existence of additional industrial society. In the Eighties, several albums of Rauschenberg's photographs were published, marking the unprocessed conclusion of his frequent council house of photographic material in collages and embodying his view elaborate the world as a eerie accumulation of images.

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